Yesterday morning, I sat down to write a short story and realized half a page into it that it was about how office work sucks anywhere you go in the galaxy, and I couldn't face it. If I were still in the soul-sucking day job I could probably write it as a safety valve, and might even be able to make it funny.
This morning, I got a good rejection. Oh, yeah, there's such a thing. It talks about the razor-sharp writing and original premise and makes it hard to understand why it's a rejection. Do yourself a favor - don't try to parse this stuff. Put the good parts in your permanent memory, file the rejection, and move on.
Don't try to do this job if it's not what you want most in the world. Because the most successful writers I know still have days when They Just Can't and get both good and bad rejections. The more successful you are, in fact, the more rejections you get - because to be successful you have to submit a lot, and it's a buyer's market. Rejection is always more likely than acceptance, and sometimes acceptance turns to rejection when a company changes hands, an editor moves house, or a budget gets cut.
You have to be able to live off the good parts, take the rest in stride, and keep on going, for yourself.
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